The Rooms

by Emily Holland

Everyone carries a room about inside him. This fact can even be proved by means of the sense of hearing.

Roger Samson, for example, though nominally on a city bus, was in fact located in a small windowless home office, to which the door was quite soundproof. His doctor had recommended that he get hearing aids, but Roger remembered the days of parchment-thin walls, and to these he was not anxious to return.
Thus Gloria Wibble had been quite unsuccessful in trying to get his attention.
“Excuse me, sir, would you be able to move your backpack? There aren't any other seats.”
Roger, on the bus, bristled and opened his eyes; Roger, in the office, removed his headphones and tore himself away from the game of Flight Simulator in which he was perpetually engaged. There had been a knock on the door, and it was growing quite insistent.
“Oh, here, yes, of course,” he mumbled, opening the door to his clean quiet office by means of the left backpack strap. He sat the lumpy object down at his feet and once again the door was closed (he saw that his plane had crashed, but no matter; Flight Simulator, unlike the extra-office aspects of his life, always provided him with the option to start over).
Having seen Roger securely back into the recess of his office, Gloria sat down beside him and retreated to her own inner sanctuary-- except hers was less a sanctuary and more a manifestation of her inner disquiet. It was the roulette gallery of a casino, which would not have been surprising to anyone else, had they been allowed inside-- Gloria's eyes resembled nothing if not giant roulette wheels: there always seemed to be something spinning inside them. Gloria was currently playing her hand at the gumbo-recipe game. Where on earth had she put it? She needed it for the potluck tonight, and she was going for broke. At stake: her reputation as an appreciable or even adequate housewife (gumbo was the only decent thing she knew how to make). All the numbers on the wheel (fifteen spaces in all) were backgrounded by pictures of places-- the glove compartment of her car, her recipe rolodex (too risky a bet), her copy of Scrapbooking for Dummies, her son Robbie's lunchbox, etc. Where had she last seen it? She wracked her brain and fidgeted, aggravating the testy croupier. Finally she placed her bet on 11, or “the kitchen counter behind the dishwashing detergent,” and he spun the wheel. It revolved for several minutes and the numbers blurred before her-- “Make it stop!” she yelled at the croupier-- but it wouldn't, and she exited the casino in a daze, determined to return when she got home. By then it surely would have landed somewhere, she thought, and only then would she be able to collect her winnings... or not.
Gloria moved her foot, and on the other side of her little Andrew Grier was booted out of a tipi-- he was young, and still allowed to migrate between rooms, having yet to find the one that belonged best to him. Back on the bus, seated next to the lady with the crazy eyes, he sensed in the bliss of childhood that his only challenge was to find another room to occupy. In his sensory travels he came upon a room with a solid, metal door, which the scent of the crazy-eyed lady had allowed him to discover: she smelled like wilted flowers, like the ones in the vases his mother had left out for too long. In the room, which was sterile and filled with bubbling test tubes, Andrew found a lab coat, goggles, and notebook. It seemed that the mad scientist who was working here had stepped out for lunch. No matter; Andrew could continue his work for him until he returned. In the notebook Andrew found a secret: for every person in the world, there was a perfume that would cause him (or her) to respond in a certain way, to act precisely as the mad scientist wanted him to. By brewing this set of perfect perfumes, the mad scientist could control every person's every action, and thereby RULE THE WORLD! Even Andrew had to cackle at the genius of this evil plan, for perhaps, if he found the next few perfumes, the mad scientist might let him rule the world sometimes too, at least on weekends.
Clearly, the lady with the crazy eyes had already been taken care of.
Next on the list was the bus occupant across from Andrew, a scrawny old man with tufts of ear hair and a snuffling snore. Andrew scoffed. Easy-peasy. The scientist had carefully noted that this man could be driven into a state of frenzy by one thing: peanut brittle. All Andrew had to do was mix up some crushed brittle particles with a few essential oils and voilà!-- the malevolent mixture itself was born in a fountain of bubbles, in a vial that rapidly cycled through colors of the rainbow, finally culminating in an irresistible peanutty tannish-orange. Andrew smiled as the man jolted awake (outside the scientist's chamber, the bus had hit a bump, but Andrew knew the truth).
Scrawny Alexander Wasserman looked about in surprise. Peanut brittle? In the blankness of his sleep, he thought he had smelled it-- he could almost taste it, or perhaps it was just the remnants of the cashews he had eaten this morning. Either way, he could swear he had caught a whiff of those tantalizing blocks of legume-y goodness-- did someone on the bus have a bag? More importantly, would the person be willing to share? He looked to his left, to no avail. He looked to his right, and--
Transformation.
In that moment Alexander Wasserman discovered that Sleeping Beauty did not live in a castle and her bed was not obstructed by a thicket of thorns. She lay dreaming right next to him, and the only obstruction was his own self-consciousness, which manifested itself in a blush.
She had a copy of “1000 Nutty Confections” in her hand, and her head was covered with perfectly-set, unicorn-white curls. He began to sweat. Who was he to wake her? What if she grumbled, what if she found him rude or unsavory? Even worse, what if she didn't think he was handsome? What if he tried to win her and flat-out failed? Perhaps she inhabited a castle surrounded by thorns after all.
Time passed slowly as he dithered, making Alexander even more conscious of the fact that he did not have a mental room, at least not at the moment. He had lost the key to his room long ago, after his son had been killed in a war. The bug-catching meadow in which he had spent his spare moments had scorched up and died, now that its other occupant was so far removed and so painful to visit (the sight of the boy with the missing front tooth and the miniature net now brought him to tears). From then on, Alex had spent his downtime in a state of painful agitation, forever stuck in the literal present. Only sleep, and peanut brittle, could bring him relief.
Soon, however, it began to dawn on Alex that the time had come for him to seek a new room. He had grown tired of the perpetual sadness; it was exhausting, so exhausting not to have a place to be content. He felt that had been searching for this room for a long time, and here was the opportunity, in front of him: he must find the chamber in which the sleeping princess lay.
But the bus was approaching his stop; there were only two stops to go between Hartford Street and Brooklane, the location of his apartment. Time was running out. What to say, oh what to say? How to wake her so that she would at once recognize him as smart, funny, and kind, her true love meant to be? And what if she was married?-- but he didn't see a ring. He urged himself: think, Alex, think!
The driver announced: “Talbot Street, everyone for Talbot Street,” and the bus inched to a halt.
In his contemplation of her somnolent tranquility, Alex noticed something about his love which caused him alarm. At her feet was a tote bag printed with the words “Talbot Street Market,” and she was carrying a recipe book. Perhaps she had meant to go shopping, and what if she should miss her stop? In a great fit of valiant anxiety, he slashed at the final vestiges of thicket, overcoming his inhibitions. He reached for the key to the princess's chamber, touching her left hand: what a beautifully soft and graceful left hand it was.
The chamber door opened with the princess's eyes.
“Excuse me, are you getting off at Talbot Street? I saw your bag, and thought this might be your stop.”
Her features softened, blue eyes aglow, as she caught the first sight of her prince.
“Thank you, sir, I was just on my way to the market to get some sugar, because I'm making peanut brittle tonight. You see, my grandchildren are coming over tomorrow, and--”
The doors of the bus began to close.
“Why, it seems I've missed my stop after all,” she said, and her eyes misted over with disappointment (or perhaps Alex was only imagining such tender sensitivity, as he sat in the chamber, by the side of her bed). He had not removed his hand from hers.
“It's no matter. What do you say we get off at the next stop, and I escort you to the market?”
“That would be lovely.” She smiled and looked modestly at her dainty white sneakers (in the castle, she sat up and removed the brocade quilt).
Thus Alex Wasserman found his next dwelling place, which was almost as lovely as the room he would physically occupy that night, a kitchen brimming with the smell of peanut brittle. Of course, by that time, Andrew Grier had moved on to concoct his next scent, as the mad scientist had never returned, and his abandoned labor became Andrew's lifelong obsession-- he was never the same afterward. Gloria Wibble had returned home, then to her casino, and was collecting winnings in the form of compliments on the now-famous gumbo. And Roger Samson? As one might imagine, Roger Samson had gotten nowhere at all, figuratively, but that was just fine with him. He had come full circle, at one with himself: he sat in his home office, playing Flight Simulator.

A Furnished Kitchen (A Short Treatise on Feminine Innocence)


by Igor Ursenco

a. Divina Comedia in Three Scenes

Everyone carries a room about inside him. This fact can even be proved by means of the sense of hearing. The natural and the genuine are two essentially different phenomena, even if their rustic symbolism is most often devoured by existential ignorants like some dissociated gastronomic menu, with a pedantry worthy of a better cause. Whoever understands this existential secret is fully saved. And salvation comes even with the risk that the great miracle had happened precisely in the Bedroom, to the detriment of the Bathroom or the Kitchen – a risk, nonetheless, anything but fully digested by stomachs famished for lack of knowledge. Like prolonged spasms of the body, the cold appetizers, the broth, and the desert stalk one another, push and shove in their fight for supremacy: short lived anticipations for the heated Inferno, the inevitable Purgatory or the Heaven over feeding only the realm of pure religiosity.

First of all, it is the Bedroom that takes shape.
Almost every time the sleeping room announces all the others that shall follow in one’s complex life!
The Inferno brings along all its permitted follies or all the presupposed happiness at the very beginning of life. The Bedroom is the space of external innocence, an absolute sign of weakness and impotence. It stands for a time of vulnerability of the soul, left unshielded: it is an opportunity that all who have nothing left to lose hurry to seize and exploit. At least in this life.
It is there that all love declarations and intentions left in their initial, virtual state are consumed.
It is there that anything but necessary wars are declared, and fake peace treatises are made.
It is there that you receive and offer gratitude in return, as well as theatrical blows. And even those below the belt.
It is there that sex smells like an unexpectedly blossomed acacia during an early Spring night: and all lasts until the cleaning of dirty laundry in public.

After that comes the inevitable daily Bath. In other words, what is next is the Purgatory with its greatest pagan crimes which would have been committed by
Dante, had he not been Christianized in due time.
The Bathroom is where you clean off your first traces of sex and the last betrayals of the previous night; both of them are equally uncomfortable and, most of all, immune to cleansing by means of chemical powders. There you wash your face, with daily frequency or with contempt. At times you might even wash your thoughts or your socks. Yet all that you wash is just as much subjected to decay.
It is the only place where you may allow yourself to dive deep, overhead, in your own recognisable shit, even if you forcedly wash your teeth or wallow in your own curdled blood, not having to give count to anyone. nThe only problem is that you must find the vessels specific for each use.

At last, The Kitchen comes, naturally enough, as closure to the entire daily cortège.
The Kitchen is the blessed Heaven where to you leave for good, yet with your humours incurably modified.
In comparison to Petrarch’s love sonnets, heaven is the highest space in the intimacy of which you may save yourself from the vigorous neck of philosophical treatises signed by the same author: De remediis utriusque fortunae, that being ‘on the remedies of any potential fate,’ De sui ipsius et multorum aliorum ignoratia or ‘on the self ignorance and many other’ and, lastly, De vera sapientia, in other words, ‘on true wisdom.’

b. Human Comedy in One Act

From the comfortable bedroom, flirtatiously painted in nuances of fiery red meant to facilitate your exhaustive readings, you enter the bathroom, directly at the Balzacian age of Eugénie Grandet, and exit there bearing all the symptoms of pure bovarism, early impregnated on your smooth, hydrated face. In other word, you are marked off with that vehement declining to accept reality, plus the incapacity of clearly distinguishing whether – in the mirable Faustian moment – you are happier, or happier in a different manner than you could be at another re-reading of your life. To this, we add the denial doubled by the elementary technical knowledge of railroads caught on from Anna Karenina, too early for the just part of the day and, especially, for the emotive epoch in the voracious fields of which you have lost yourself.

Yet what importance may details have as long as the mechanic at CFR has no programmed spear halt in the slippery path of the forget metal rails? Flaubert, as well as Tolstoy, despite their impeccable Parisian French, could not deny – not even for a moment without burdening their conscience – that their heroines are the very ‘pure male man’ of their own personal masculine conscience, it too pure only until the acceding to other mental spaces, slattern and frivolous like a church captive in the heart of the New Year’s Eve.

Much sooner than you might have thought possible, you come out of a bathroom heated in a short while, hands cleansed, thoughts cleared. And this is because you felt in your belly the kicks of your interior being, which would rather call you by your name taken oven from your unknown Father. You already know that another room must follow, familiar and strange at the same time, like the belly of a blue whale, flesh untouched by cyanides. From all the pieces of furniture available to sight, it is not difficult to see that it is precisely the kitchen: cupboards incorporated in the vibrant wall, multifunctional capacious drawers, cutlery and glasses with silver filigree, all hung on the invisible skeleton of the whale. Then, anywhere you might look, transparent sharp harpoons lie close at your hand. They, their gilded and enticing handle, lie placed exactly at the level of your arm. In that very moment, thousands of thoughts, chaotically caught in the melted lard of morning, cover you with their fine larch. The yeast of chronic tiredness begins to wrinkle the joys that are to follow that day, in so much that the defenders of Greenpeace could die of the toxicity of their own spite, which spite must be ecological!

You come close to the small table, entirely made of massive wood. You poor a little out of a transparent bottle, more than half full with 25-year old liquor. Its contents is murky from place to place, cloggy like gore. Yet as you withdraw in shock the goblet from your mouth you immediately convince yourself that the blood is sweet like natural honey, in so much that you are not surprised to hear coming from its obscure gustative structure a threatening bee hum. Only the gods’ nectar might have a similar taste. And, perchance, Prometheus’s liver! And yet, the world’s love is there exposed, in all its promising nudity, on the thin blade of a kitchen knife, or on the worn rails on which the train moves, awaited for with a shiver ennobled by Anna Karenina’s presence, the fast train that, since birth, wallows in the conscience of all women. Now you realize that innocence is the only tamed man; a moment from now you shall say that this must be the first and last thought to follow you without punishment.

Meanwhile, that intangible part of you, only just contoured, and yet which you are fully submissive to, tries to irreversibly replace you. You know not whether it be greater or more profound than you have been accustomed to consider yourself, or to be considered by those around you, yet which represents you as a species: familiar and yet foreign. Precisely this species is provoking you (actually, it is ‘opening to itself’) unsuspected senses and images, drawn by the smell of death, even now cuddled in your stomach ulcer that you have gained during college, only just now finished. The dark butterflies, with their wings threaded at the margins, have rested since forever. Not really, they have been there for even longer, they have settled there earlier even. They seem to occupy a space as wide as a street in the old town centre, awaiting that the famished larvae chew through the virtual barks of trees and the last leaf of the blossomed acacia! Now you may thread on a liquid surface of terror, which is only now opening a barely perceptible path in space.

You are free to run.
Run wherever and on any side of the promise now lying as a borderline, with the geography of life priggishly mapped and set for prolonged preservation on the long-lived natural wooden shelves. From everywhere the unmistakeable traces and smudges of natural life emerge. Around you, you find dishes waiting to be cleaned, some never yet used, big cups of tea or coffee pots with chipped rims, and tea spoons engraved with the letters of a strange alphabet. Some of them still keep, in obscure hiding places, inaccessible to sensory organs, entire pieces of unconsumed light dating back to your first birth. You shall never know should any other follow...

Yet too much time has already gone by.
It is more than some protective space, tolerable for a decision this important.
And in front of you... In front of you lies an all too familiar object so as to recognize its inborn honour. It is the very knife blunted by the flesh of so many vegetables, minutely washed and sacrificed as a daily divine offering, directly on the vegetal trencher or on the industrial oven: to such an extent that it has lost all ability to negotiate with the life of he who is holding it in his perspired hand...

You need only so little...
You are in need of so little to cross over, to go definitely on the natural side of the light...
A little more, and the darken blade of the knife shall brusquely emit a heavy vibration, yet even since not suspiciously melancholic, so as not to betray its true character hidden behind it, and, most of all, its lively conscience, too burdened by details for its criminal mission.

Last Call Goodnight

by Vlad Giulvezean

He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie, backwards, then forwards again. With a light tap of the old remote, he sent the pictures reeling backwards, losing track of the words as they turned into garbled mumbles. It was a kind of magic, he had once thought, pensively taking another swig from the bottle.Through the flickering screen, he managed to step back through time until he found what he was looking for. t was only then that Nathan smiled, finishing his drink in one self-congratulatory gulp. Frame frozen upon the screen, he slowly mimicked its stillness. His own expression twisted itself to match the crinkled lines smiling back at him as his chest ached to reach out. His fingers could run across the screen, his alcohol-infused mind rebuilding the world according to his memories. Eventually, only they would be left, dancing behind his shut eyelids as they once did at their wedding. His eyes fluttered open a couple of times, finally giving in as his breath took on the shallowness of sleep. The bottle slipped, dull pain throbbing as she stepped on his smooth black shoe. He casually gave her hand a calming squeeze, smiling broadly as their eyes met, her teeth nervously biting into her lip. His wink brought out a shy smile, turning it into a delighted giggle as he twirled her round and round. Their laughter rang across the dance floor, his cheek pressing against hers. And when he fell, he flushed in expectation of the inevitable choir of mocking laughter.


A Brief History of (My) Time

by Joseph Baron Pravda

He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again.

“Einstein didn’t predict this, did he?” was the dominant experimental thought in his brain, reprising with every observation that registered there, albeit with a certain amount of imbibing’s usual effects. Relativity was definitely out, not that he fully understood the theory, generally or especially, or at all. He was momentarily pleased, that obsequious three pound slave advised him - whoever that was - at his wordplay on ‘special’ relativity; it now followed its master, back to his problem, with time… and space. He was not aging; in fact, the reverse was happening. His daily run had effortlessly increased almost by a mile in a matter of weeks. Grey hair was no longer in evidence, sometimes overnight. Having ruled out any arrangements with anyone claiming to be Mephistopholes or possessing his powers, Ben Yonge was concerned, no matter how beneficial these changes might be.His physicians were no help, brushing him off as experiencing some sort of male hysteria, a kind of late adolescent blooming. “Adolescent!?” was his exclamatory querulous response, having long since passed the age of 21… but, in which direction?

Drunk with Myself

by Richard Ballon


There is a white hole in the wall, a mirror. It is a trap. I know I am going to let myself be caught in it. I will dive into the eyes of the men who lean against the mirrors in the bar, whose lean bodies are reflected poolside.

I move to Provincetown to get away from my breakup. My rock star boyfriend fell in love with the head singer of his new band and zippo zappo, out of the picture. Three years of building trust to have it punctured like the wheel of a bike careening toward his next affair. So I think where can I go to ease this can you believe my heart is in a headlock that won’t stop hurting? The worst thing is that he keeps calling because he can’t let go of the sex. I was going to send him a bouquet of narcissus flowers, but he wouldn’t get it. He’d simply think ohhhhh, flowers…for me? So I send him a banana with no return address, and dive into the surf of men with bodies hard as surfboards.

At the end of that summer, I was squeezing by men in a crowded bar to get to the outside pool, when this one man pushes toward me. He is slight in build, has a self conscious swagger and his puddle eyes splash mine above his close cropped beard. He capsizes toward me but the swell of the crowd tows him away and I am gasping, because as he turns the corner he simply disappears. I realize like thunder, I am looking at myself from the beginning of the summer. I had arrived with a beard.

The Carved Angels

by Sonia Saikaley


There is a white hole in the wall, a mirror. It is a trap. Billy knows he is going to let himself be caught in it but he turns and walks out of his room and into his mother’s bedroom instead. He now stands in front of her full-length mirror; it is very old, something his mother inherited from her grandmother Abigail and it is made of beautiful dark, mahogany wood and looks as if it belongs in an ancient Scottish castle with gargoyles instead of a bedroom in a downtown Toronto apartment, where the fluorescent sign from the twenty-four hour deli flickers in the night and bounces off the mirror’s reflection onto Billy’s pale face when he sleeps with his mother after having a nightmare. On those nights, he crawls into his mother’s bed, without squeezing between two bodies because he doesn’t have a father, and his mother puts her arms around him and soothes him back to sleep. 


Billy has no memories of his father except a tattered picture he sometimes pulls out of a shoebox his mother keeps under her bed. Besides that photograph, he has never seen his father and has only heard about him through his mother’s stories. Billy now turns around and examines his thirteen-year-old body in his great-grandmother Abigail’s mirror. He likes standing in front of it. He is thin and his high cheek-boned face gives him the appearance of a young girl. He pinches his cheeks until his pale skin turns red. Turning around again, he looks at his flat bum and wishes he could look like the beautiful, robust angels carved in the mahogany mirror. Little, fat angels with big fluffy wings live in the wooden frame. At the bottom of the border, skinny, demon-like monsters raise pitchforks toward the fat angels while on the right-hand side of the mirror, a child gazes up at the angels. The other side has both men and women dressed in nothing but brassieres and garter belts. The women kneel in front of the men while the men hold the back of their heads. Billy tries to remember seeing such a thing on his school trips to the Art Gallery but he can’t.