After Chagall's "The Birthday"

by Carole S. Mora

Here in the fresh hangar of their private cabaret, the cinnabar lane gathers
up the dusty dreams of the dessert she had planned and shakes them off.
He is into speleology and she, in soft, pink tinged, handmade camisole,
close to the skin, admits to being an epicurean, a never satiated gourmet.

The epic coq au vin she just prepared has hit the spot and for dessert,
millefeuille, presented on her best Bakelite, filled with sweet,
somewhat thick qumquat jam fresh from the tree just outside the window
of their romantic Mediterranean hideaway, a stones throw from the Orange Coast.

Home to Our Lady of Loreto, this has become their Balarean Island,
where they conjure nightly bonfires in her velvet boudoir flush with ju-ju.
Tonight she serves up a mean Baby, Baby, Baby, just a jigger of Stoly,
a little less Grand Marnier and half a jigger of Baileys, swished and swirled

over cracked ice and strained into a pony glass that glistens like the black
Patin leather and chrome stool, modernist, slick a bit uncomfortable.
Both so tired of being propped up like that, he makes her a Woo Woo
all peachy and tart with cranberry. They unpack the Theremin and begin

a slow dance. Soon the calyx, campanula and baby’s breath bouquet
begins to emit sounds all smooth, spooky and innocent. They both whisper
mon cherie and yes, even the cicadas chime in. This is no mare’s nest,
they’ve hung up the magic carpet and their bathysphere is complete.

No joke. Their jouissance unfolds and they float, flesh swaying so gently
they even forget to take off their shoes, so deliquescent they are with delight.